Tag Archives: writing

Top ten things which might turn readers off your novel

I love this – two hundred comments by readers on what turns them off whilst reading a novel: http://terribleminds.com/ramble/2013/05/21/bookish-turn-offs/comment-page-3/#comments

The main beefs seem to be with:

  1. Characters they don’t and can’t care about, who are too passive and flat
  2. Boring beginnings – first three chapters are key
  3. Dull storyworlds
  4. Too many points of view or wandering points of view (ie starts in third person closed and goes omniscient)
  5. Sexual violence
  6. Clunky prose with no unique ‘voice’
  7. Preaching of any kind (ie the moral of the story is this and you’d better believe it)
  8. Poor writing and/or editing
  9. Plot holes
  10. Slow pace (they don’t seem to like this!).

I do some of these…. so time to get back to editing.

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Life after the first draft

So. I managed to write to the end of my first draft, my own personal ‘first hurdle‘.

Whilst I’m pleased about this, my first draft is little more than a skeleton. I have written out all my characters, the main plot and some of the themes.

I know that I still need to add considerable flesh to my characters and to their inner journeys, layer up my themes and add depth to my story world and generally tighten up the story.

I must make sure my story makes sense, that it will satisfy at least one reasonably sized reader segment. In doing this I will make a final decision on predominant genre and then add or subtract scenes, characters, themes and style to my manuscript depending.

In practical terms I am working through all of Joanna Penn’s tips on what to do when you get to the end of the first draft:

  • Structural edit – my manuscript is with my Faber Academy tutor and will shortly go to the Writers’ Workshop.
  • Beta readers – several trusted readers are looking through my story now and will look at again in June when I’ve done my post structural edit revisions.
  • Line edits – I need to look for a freelance editor to help me with this in the summer which I will do shortly.

The end of the first draft is a difficult stage to get through. I know there are many more hurdles to jump after this but if I can get past this to the next step, I’ll be pleased!

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Get writing regularly

Having just read this brilliant article about writing routines, I was thinking about how crucial regular writing is.

At the beginning of a recent creative writing course I attended, course participants were first asked to write down how and where we write. I was interested to see how varied people’s answers were.

My writing routine

My answers  were as follows, and I have not changed them during the course of my studies:

  • Write every day without fail. If I can’t do a section of my novel, I’ll write a poem or start a short story. If I can’t do any of those, I’ll resort to morning pages, which works every time to get me into the swing of writing.
  • Write wherever I can in order to get the daily writing done. As I’m out and about a lot, work, have three children and a load of other distractions, I write on whatever I have to hand – usually the notepad app on my iPhone or iPad. Sometimes a notebook. If I’m really lucky, I’ll get my writing done on my laptop in my home office.
  • Write at the same time every day – I try to write earlier rather than later in the day, as I know that after about 6pm the writing suffers. Some people write better at night though.
    Separate writing time from editing time – very important. This is one area where I need to be firm with myself. If I’m writing I can’t be editing in the same session and vice-versa – just doesn’t work.
  • Close the door. If I can’t shut the world out physically, I’ll put headphones and music on. Some way or another, I have to isolate myself.

These procedures work for me, but the key to it all is discipline. Whatever you do, you probably need to do it regularly in order to make any real headway on a writing project.

Happy writing!

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There is a world elsewhere

What is true of life is also true of the world of novels.

An effective story world is key to engagement. Create a convincing one, and readers will want to live in the world of your book. They will want to stay there long after the last page is turned and the back cover closed with that final snap. It will remain in their thoughts and subconscious, popping up at odd times, taking them by surprise.

Life is very much the same. Create a buzz around your life, and people will flock. Sometimes, without even knowing why: they just want to be part of another world, one which is separate in some way from reality but close enough to offer them membership. I can think of several people who do this thing really well. They create feel good factor in the way that a good story world does. That’s one of the reasons JK Rowling did so well.

We all want to be part of a world elsewhere.

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Reading for writing

In his book, On Writing, Stephen King tells us he has a well defined routine. He writes in the morning until about 11am and reads in the evening. Every day of the year, without fail. He also says this:

 ‘If you don’t have time to read, you don’t have the time (or the tools) to write. Simple as that.’

And I agree.

I’ve also heard it said that novelists should aim to write 2,000 words and read 2,000 words a day. I liked this so much I took it upon myself to try and stick to it, but in the end I had to go with write 1,000 words and read about 3,000 a day – I’ve changed the ratios a bit whilst keeping the discipline.

Either way, the message is clear – if you want to write well, you need to be a voracious reader.

As an aspiring novelist, reading widely helps me to emulate writing I admire and
It helps widen vocabulary and access recurring themes which fascinate me. When asked to compile a list of my favourite books recently, I was interested to see how many of them shared themes. This was not something I was consciously aware of, having considered myself an eclectic reader!

When I’m working on a project, reading within the genre I write in is particularly useful. At the moment I’m lapping up Gillian Flynn’s books, but also Dan Brown’s! Both have something to teach me about pace and intrigue. I’ve also returned to Kafka and Kundera for philosophical undertones and Nabokov for wonderful descriptions. Murakami’s IQ84 is a new discovery which I am devouring, word by word. The list goes on. The reading goes on.

Just when I feel like I’m up against a writer’s block, I’ll read something… amazing. And I off I go again.

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