Tag Archives: editing

The point

I recently came across a useful post on concept revision on the Alliance for Independent Author’s website.

Written by chartered psychologist and writer, Rosalind Minett, it talks about what concept revision is and why you should do it.

She begins by saying:

Concept revision is what I call the process of thinking over recent writing, especially any sense of weakness or inadequacy. This also involves the ‘why am I writing this anyway’ thought, the stage where the story may be worked out or well on its way but the theme hasn’t really become evident.

And this resonates with me. The rest of the article puts forwards useful tips on how to think through this process. The article’s appearance comes at just the right time for me, as the editing of the first draft of my fourth novel, Zeitgeist, has forced me to get back down to the business of thinking about why I write. What’s the point? It’s something I’ve been avoiding for a while, well, for a couple of years or so whilst I usefully distracted myself setting up a business in gelateria coffee bars. Just before that I ran myself into the ground doing a 5 hour commute and tackling a job that was too senior and stressful for me. Probably a lot of this was to avoid thinking about writing.

But I’m back now!

Conversations with my other half

So having got to the end of the first draft of a fourth title, I ended up having the inevitable difficult conversation with my other half about why I write. His advice was unexpected, characteristically harsh but very useful. The conversation went something like this:

Him, ‘As with all things we want to achieve in life, often they go wrong because we fail to set out our objectives. Why do you want to write? What do you want to achieve through it? What’s your motivation?’

Me (after a long pause of several minutes), ‘I’m not sure at the moment. At first I just wanted to prove to myself that I could write a novel. I wasn’t interested in the money, nor in any kind of recognition. I just wanted to get to the end of a novel. But after I’d written my first novel with NaNoWriMo, I realised this wasn’t enough. So I went on a Faber Academy course and wrote my second novel afterwards. At this stage everything was still very experimental. I liked my second novel very much but lots of people said it was too cross-genre to do well – this has been borne out. But I didn’t care about that. I’d wanted to experiment with my writing, particularly with the themes I had in my mind at the time: those of reality, both physical reality in the scientific sense and the philosophical reality of the mind. And I’d wanted to tackle some issues I had with religious cults and the idea of the immense power people can sometimes wield when they tap into this.’

Him, ‘So you achieved that. These books aren’t Fifty Shades of Grey, are they, they’re niche. So if you want to write niche, be happy that you’ve done that and move on, and don’t moan about lack of exposure.’

Me, ‘Okay. But that was the first three books. I learnt a lot through writing and marketing them, but the fourth book is different. I didn’t write it to explore a theme, I wrote it as a pure story, a “coming of age” tale.’

Him, ‘So what? What’s so interesting about your coming of age tale, what’s the big deal?’

Me,’It’s a big deal because the events of the story – a couple of student protaganists who becomes embroiled the East German Stasi just before the fall of the Wall in 1989 – lead to the coming of age, the realisation of adulthood and what’s important therein.’

Him, ‘How?’

Me (exasperated), ‘Because the protags change as the story progresses and this change leads to their ultimate fate.’

Him, ‘So you think this will sell?’

Me, ‘No idea.’

Him, ‘You see, we’re back to objectives again. If you want big sales, then you write about things that sell – sex, violence, crime – otherwise, you are writing for other reasons, and you need to find out what those are. You wrote initially to explore themes, but this time you’re doing something different. However, what you’ve written is still a bit niche. If you’re writing a story for Young Adults, is is exciting enough?’

Me (thinking – maybe, but maybe I need to do some revising to make sure it is.)

What’s the point

So I’m back to concept revision again. For me this is:

  • What’s the story?
  • Why I am writing it?
  • How have I made it interesting – ie what’s the main character arc that keeps people’s interest in the protagonsits
  • So what? (What’s the ‘so what?’ factor)

Probably the most important point is the second one, ‘why am I writing it’, because this is the one that unlocks the other four and helps me write something that others might want to read.

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My thoughts on writing, production and publication

A week after I published Borderliners and with two other novels at different stages in the writing and production process, I thought it would be a good idea to take stock of what I’ve learned about writing and publishing along the way. Enjoy!

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My top five thrillers and spooky novels

Borderliners, the first novel in my trilogy, is a psychological thriller set in the autumn of several different timelines.

As I prepare this novel for publication at the end of 2013, some of the key themes of the story are uppermost in my mind: dreams and reality, the mysterious nature of time, ambiguity of human relationships and the destructive nature of isolation and the vulnerability it brings to its subjects.

Inspiration for some of my themes comes from my love of thrillers and some of my favourites are listed here:

  1. The Master and Margarita, Mikhail Bulgakov
  2. Dark Places, Gillian Flynn
  3. The Secret History, Donna Tartt
  4. Blackwater, Kerstin Eckmann
  5. The Landscape of Love, Sally Beauman

For me, Gillian Flynn is the current queen of the plot-driven suspense thriller, but almost nothing beats the way I felt when I first read Donna Tartt’s ‘The Secret History’ over a decade ago. I was a student at the time and spent several days and nights immersed in the story. Kerstin Eckmann’s Blackwater is one of a longer list of nordic thrillers I’m very fond of, but the one which stands the test of time in my memory. The Landscape of Love is a peculiar novel, which I found both disturbing and compulsive at the same time. The use of changing points of view from the reliable to the unreliable narrators was one which I loved and has followed through to my own work. Finally, The Master and Margarita contains a masterpiece of a scene where Margarita, the Master’s mistress, is invited to a ‘Walpurgis Night ball’ , an event associated with the occult and the supernatural.

Happy reading!

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Have I written a ‘holy crap’ novel?

… or just a crap one? As my current work in progress straddles sci-fi and general fiction, this is a question which has been worrying me for some time.

 

Having read through a fascinating article, Holy Crap': The Flawed Notion That Novels Can Transcend Genres, about the nature and classification of genre, I’m forced to reflect: can an aspiring novelist ever write a genre-buster or is genre-straddling just a sign of inexperience?
As an avid reader of cross-genre, I’m not sure. I love Kate Atkinson, for example, and her most recent novel ‘Life after Life’, more than ever. I’m also a great fan of Milan Kundera, and I’ve just started reading a book which I’m sure is going to blow my mind, ‘A Tale for the Time Being’ by Ruth Ozeki. She does everything I wanted to do, only better. Much better. But the very existence of a book like this is heartening. It’s a so-called ‘Holy Crap’ novel, and it is glorious!

But as an avid reader of such novels, how can I ever hope to write one without making a mess of things? One published writer I know advised me not to put all my eggs into one basket -or into one debut- as there would always be time to write different types of novels within genres. Maybe. But what if I like to read cross-genre and would like to see more of it?

Mix it up

And then there is the question of what to mix. As my 11 year old put it, ‘You can mix thriller with romance and you can mix sci-fi with thriller, but you can’t mix sci-fi with romance.’ Out of the mouths of babes…?

Or is it, as the quoted article suggests, true that ‘Genres aren’t conceptually solid enough to be transcended. Any genre is going to be made up of things that both fit and don’t, and over time those things will change and shift.’

I’d like to think so.

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Paulo Coelho’s Manual for Climbing Mountains

Kirsten and Francesco Arcadio with their guide at the top of the Corno Grande Gran Sasso

Kirsten and Francesco Arcadio with their guide at the top of the Corno Grande Gran Sasso

On a recent climb up the steep side of the Gran Sasso ‘Corno Grande’ in Abruzzo, Italy, I was reminded of Paulo Coelho’s Maunual for Climbing Mountains. It’s super relevant, not only to the subject of my work-in-progress novel, Split Symmetry, which is set on a mountain, but also to my life, and specifically to my writing progress.

In his blog, Paulo says:

“A] Choose the mountain you want to climb: don’t pay attention to what other people say, such as “that one’s more beautiful” or “this one’s easier”. You’ll be spending lots of energy and enthusiasm to reach your objective, so you’re the only one responsible and you should be sure of what you’re doing.

B] Know how to get close to it: mountains are often seen from far off – beautiful, interesting, full of challenges. But what happens when we try to draw closer? Roads run all around them, flowers grow between you and your objective, what seemed so clear on the map is tough in real life. So try all the paths and all the tracks until eventually one day you’re standing in front of the top that you yearn to reach.

C] Learn from someone who has already been up there: 
no matter how unique you feel, there is always someone who has had the same dream before you and ended up leaving marks that can make your journey easier; places to hang the rope, trails, broken branches to make the walking easier. The climb is yours, so is the responsibility, but don’t forget that the experience of others can help a lot.

D] When seen up close, dangers are controllable
: when you begin to climb the mountain of your dreams, pay attention to the surroundings. There are cliffs, of course. There are almost imperceptible cracks in the mountain rock. There are stones so polished by storms that they have become as slippery as ice. But if you know where you are placing each footstep, you will notice the traps and how to get around them.

E] The landscape changes, so enjoy it:
 of course, you have to have an objective in mind – to reach the top. But as you are going up, more things can be seen, and it’s no bother to stop now and again and enjoy the panorama around you. At every meter conquered, you can see a little further, so use this to discover things that you still had not noticed.

F] Respect your body: you can only climb a mountain if you give your body the attention it deserves. You have all the time that life grants you, as long as you walk without demanding what can’t be granted. If you go too fast you will grow tired and give up half way there. If you go too slow, night will fall and you will be lost. Enjoy the scenery, take delight in the cool spring water and the fruit that nature generously offers you, but keep on walking.

G] Respect your soul: 
don’t keep repeating “I’m going to make it”. Your soul already knows that, what it needs is to use the long journey to be able to grow, stretch along the horizon, touch the sky. An obsession does not help you at all to reach your objective, and even ends up taking the pleasure out of the climb. But pay attention: also, don’t keep saying “it’s harder than I thought”, because that will make you lose your inner strength.

H] Be prepared to climb one kilometer more: the way up to the top of the mountain is always longer than you think. Don’t fool yourself, the moment will arrive when what seemed so near is still very far. But since you were prepared to go beyond, this is not really a problem.

I] Be happy when you reach the top
: cry, clap your hands, shout to the four winds that you did it, let the wind – the wind is always blowing up there – purify your mind, refresh your tired and sweaty feet, open your eyes, clean the dust from your heart. It feels so good, what was just a dream before, a distant vision, is now part of your life, you did it!

J] Make a promise: now that you have discovered a force that you were not even aware of, tell yourself that from now on you will use this force for the rest of your days. Preferably, also promise to discover another mountain, and set off on another adventure.

L] Tell your story: yes, tell your story! Give your example. Tell everyone that it’s possible, and other people will then have the courage to face their own mountains.

taken from “LIKE THE FLOWING RIVER” (Kindle Edition)

AMEN!

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